Showing posts with label The Wrecking Crew. Show all posts
Showing posts with label The Wrecking Crew. Show all posts

March 01, 2017

Bobby Darin - If I Were a Carpenter (1966)

As mentioned in our first post regarding today’s featured artist, Bobby Darin was a teen idol who had had pop music hits such as “Splish Splash,” “Beyond the Sea,” and “Dream Lover” in the late 1950s and early ‘60s. But by the mid-1960s with that style of music falling out of popularity with the general public, Darin was forced to reinvent himself. In June 1966, Darin released an album consisting of then-current Broadway musical numbers. Just six short months later in December 1966 he did an about-face and released If I Were a Carpenter, which was an album of folk and folk rock songs.

If I Were a Carpenter featured Darin singing five songs written by Tim Hardin, two songs written by John Sebastian, a song by Buffy Sainte-Marie, and a few others. But far and away without question, the biggest hit was the title track.

Written by Tim Hardin, the song heard below hadn’t even yet been released by Hardin himself when Darin took the song to number eight in the USA (and number nine in the UK). In fact, Hardin wouldn’t release his version of the song until his album Tim Hardin 2, which hit shelves in April 1967. Ultimately, Hardin wasn’t happy with Darin’s release, believing the Darin too closely copied his vocal style of the song (heard on his demos) and the musical arrangements.

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Bobby Darin - If I Were a Carpenter (1966)

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Lyrics:

If I were a carpenter
And you were a lady
Would you marry me anyway?
Would you have my baby?

If a tinker were my trade
Would you still find me?
Carrying the pots I made
Following behind me

Save my love through loneliness
Save my love for sorrow
I've given you my only-ness
Come give your tomorrow

If I worked my hands in wood
Would you still love me?
Answer me babe, "Yes, I would
I'll put you above me"

If I were a miller
At a mill-wheel, grinding
Would you miss your color-box?
Your soft shoes shining?

If I were a carpenter
And you were a lady
Would you marry me anyway?
Would you have my baby?

Would you marry anyway?
Would you have my baby?

June 29, 2016

Barry McGuire - Eve of Destruction (1965)

Barry McGuire was born on October 15, 1935 in Oklahoma City, Oklahoma, but moved to California at the young age of two years old. In the early 1960s, McGuire performed in a folk duo with Barry Kane, calling themselves Barry & Barry. In 1962, both McGuire and Kane joined a larger folk group known as The New Christy Minstrels. In 1965, McGuire left the Minstrels, wanting to record more political-oriented, serious music. He started off with a bang, as, that summer, he recorded what would be his most well-known song, “Eve of Destruction,” heard below. Its release propelled McGuire into international stardom, but unfortunately the artist would never again break into the Top 40. His lustrous career has spanned more than five decades, resulting in more than twenty-five albums.

Written by P. F. Sloan in 1964, this song was first offered to The Byrds, who were known to record political songs such as this one. However, The Byrds declined and the song was thus first recorded and released by The Turtles, whose version you can hear in one of our previous posts. As it was, the version recorded and released by Barry McGuire in July 1965 garnered the most success. Surprisingly, the version with McGuire was also only a rough draft.

In mid-July 1965, some members of The Wrecking Crew had recorded the music for “Eve of Destruction” for McGuire to use, and McGuire ran through the vocals off of a crumbled piece of paper to get a feel for the song. He only recorded one take, but sometime later that day, his rough cut was leaked to a DJ and the song became an instant hit overnight. Ultimately, the song went to number one in the United States and has since been widely regarded as an iconic anthem encompassing the mood of many during the 1960s.

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Barry McGuire - Eve of Destruction (1965)

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Lyrics:

The eastern world- it is explodin'
Violence flarin', bullets loadin'
You're old enough to kill, but not for votin'
You don't believe in war, but what's that gun you're totin'?
And even the Jordan river has bodies floatin'

But ya tell me over and over and over again, my friend
Ah, ya don't believe we're on the eve of destruction

Don'tcha understand what I'm tryin' to say?
And can't you feel the fears that I'm feelin' today?
If the button is pushed, there's no runnin’ away
There'll be no one to save with the world in a grave
Take a look around ya, boy; it's bound to scare ya, boy; and ya

Tell me over and over and over again, my friend
Ah, ya don't believe we're on the eve of destruction

Yeah, my blood's so mad, feels like coagulatin'
I'm sittin' here just contemplatin'
I can't twist the truth, it knows no regulation
Handful of sedatives don't pass legislation
And marches alone can't bring integration
When human respect is disintegratin'
This whole crazy world is just too frustratin'; and ya

Tell me over and over and over again my friend
Ah, ya don't believe we're on the eve of destruction

Think of all the hate there is in Red China
Then take a look around to Selma, Alabama
Ah, you may leave here for four days in space
But when you return, it's the same old place
The poundin' of the drums, the pride and disgrace
You can bury your dead, but don't leave a trace
Hate your next-door neighbor, but don't forget to say grace; and

Tell me over and over and over and over again, my friend
You don't believe we're on the eve of destruction

Mm, no, no, you don't believe we're on the eve of destruction

October 02, 2015

Simon & Garfunkel - America (1968)

In 1964, Paul Simon was living in London, England with his then-girlfriend Kathy Chitty. His debut album with Art Garfunkel, Wednesday Morning, 3 A.M. had recently been finished recording and was now in the stage of being mixed and having the artwork created/picked out. Simon’s producer, Tom Wilson, informed him that he wanted Paul to come back to the United States to assist with the work. Not wanting to leave his girlfriend behind, Simon suggested he and Kathy go together, where they could spend five days touring the country before he got back to work. The resulting road trip became the inspiration for the song heard below.

It was in 1966 when Simon eventually wrote the song; and, according to a former disc jockey from Saginaw, Michigan, Bob Dyer, Simon wrote the song while he was in town- in Saginaw- to perform in a concert series.

The finished song was first released in 1968 on Simon & Garfunkel’s third album, titled Bookends. That version of the song begins with a segue from the previous track; so the version heard below- the single- was chosen for being featured here instead, as the intro is cleaner. The single version heard below and released in 1972 reached #92 on the US Billboard Hot 100 and #25 in the UK. It features Hal Blaine and Larry Knechtel from The Wrecking Crew on drums and bass, respectively.

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Simon & Garfunkel - America (1968)

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Lyrics:

Let us be lovers
We’ll marry our fortunes together
I’ve got some real estate here in my bag

So we bought a pack of cigarettes
And Mrs. Wagner’s Pies
And walked off to look for America

“Kathy,” I said, as we boarded a Greyhound in Pittsburgh
“Michigan seems like a dream to me now”
It took me four days to hitch-hike from Saginaw
I’ve come to look for America”

Laughing on the bus
Playing games with the faces
She said the man in the gabardine suit was a spy
I said, “Be careful, his bowtie is really a camera”

“Toss me a cigarette; I think there’s one in my raincoat”
“We smoked the last one an hour ago”

So I looked at the scenery
She read her magazine
And the moon rose over an open field

“Kathy, I’m lost,” I said, though I knew she was sleeping
“I’m empty and aching and I don’t know why”

Counting the cars on the New Jersey Turnpike
They’ve all come to look for America

All come to look for America
All come to look for America

August 15, 2013

The Beefeaters - Please Let Me Love You (1964)

As mentioned in yesterday's post, the roots of the iconic folk rock band, The Byrds, can be traced back to the solo folk days of its original members playing around coffeehouses in Los Angeles, California during the early '60s. When they first came together, Jim McGuinn, Gene Clark, and David Crosby chose the name The Jet Set. It was mentioned that David Crosby brought The Jet Set in to record at World Pacific Studios in Los Angeles, California. As mentioned, the band recorded a lot of demo material, but only one single, released under the name The Beefeaters. That single, “Please Let Me Love You” / “Don’t Be Long” was put out under the name “The Beefeaters” because the group wanted to cash in on the British Invasion and use a name that “sounded British.” The single, which was released on Elektra Records in October 1964, featured session musicians Ray Pohlman and Earl Palmer, members of the “Wrecking Crew” session musicians.

The song was released in October 1964, but failed to chart. It was written by Gene Clark, Jim McGuinn, and Harvey Gerst (a friend of McGuinn's from his early solo folk years). The song’s flip-side, “Don’t Be Long,” was later rewritten, rerecorded, and renamed “It Won’t Be Wrong” by the band (then going by the moniker The Byrds) for their Turn! Turn! Turn! album in 1965.

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The Beefeaters - Please Let Me Love You (1964)

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Lyrics:

Please let me love you a while
Let me live in the warmth of your smile
Let them see you with me
Let them wish they could be
As lucky as me
To have you here
To hold you oh-so near
Oh yeah, oh yeah

Please let me love you today
Let me give you my heart right away
And we’ll walk in the sun
And we’ll tell everyone
Our new love has begun
Just you and me
Always
Oh yeah, oh yeah

And when I hold you, I feel- feel so high
And when I kiss you I could fly

Please let me love you a while
Let me live in the warmth of your smile
Let them see you with me
Let them wish they could be
As lucky as me
To have you here
To hold you oh-so near
Oh yeah, oh yeah, oh yeah

August 02, 2013

The Ronettes - Be My Baby (1963)

Composed of sisters Veronica and Estelle Bennett and their cousin, Nedra Talley, these three girls first began singing together at their grandmother’s house when they were just teenagers. Originally accompanied by the Bennett’s other cousins, Diane, Elaine, and the only male, Ira, the six relatives landed a gig at amateur night at the Apollo in the late ‘50s. When it came time to perform, Ira, who was supposed to be the lead singer, froze. Veronica, now going by her nickname Ronnie, rushed to the rescue and belted out the lead of Frankie Lymon’s “Why Do Fools Fall In Love.” After that night, Ira, Diane, and Elaine left the group. Ronnie, with her sister and cousin, continued on as Ronnie and the Relatives, signing to Colpix Records in 1961. When their first two singles failed to chart, the girls found themselves at the front door of a club, the Peppermint Lounge, trying to get in despite being underage. After receiving some tips from the girls’ mothers about how to look and act older, the doorman mistook the trio as dancers scheduled to perform on stage with Joey Dee and the Starliters. The girls were brought on stage, danced, and Ronnie was even handed the microphone to sing a song. Soon, Ronnie and the Relatives were making regular appearances at the Peppermint Lounge and renamed themselves The Ronettes.

Released in August 1963, this song was written by Phil Spector, Jeff Barry, and Ellie Greenwich. It was the first song to be released on Spector’s label, Philles Records, and reached number two in the US and four in the UK. The technique used to record the song was Phil Spector’s “wall of sound,” a technique that involved recording multiple instruments in unison for supreme clarity on AM radio and jukeboxes. Among the many musicians and vocalists heard on the track are Sonny and Cher, Darlene Love, and The Wrecking Crew. The song is said to have had a huge impact on The Beach BoysBrian Wilson (who wrote "Don't Worry Baby" as a response-song), The Beatles, and nearly everyone else of the '60s pop era. It has been covered countless times by famous artists and is one of the most enduring songs of the 1960s.

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The Ronettes - Be My Baby (1963)

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Lyrics:

The night we met
I knew I needed you so
And if I had the chance
I’d never let you go
So, won’t you say you love me?
I’ll make you so proud of me
We’ll make ‘em turn their heads
Every place we go

So won’t you, please
(Be my- be my baby)
Be my little baby?
(My one and only baby)
Say you’ll be my darling
(Be my- be my baby)
Be my baby now
(My one and only baby)

I’ll make you happy, baby
Just wait and see
For every kiss you give me
I’ll give you three
Oh, since the day I saw you
I have been waiting for you
You know I will adore you
‘til eternity

So won’t you please
(Be my- be my baby)
Be my little baby?
(My one and only baby)
Say you’ll be my darling
(Be my- be my baby)
Be my baby now
(My one and only baby)

So, come on, and please
(Be my- be my baby)
Be my little baby
(My one and only baby)
Say you’ll be my darling
(Be my- be my baby)
Be my baby now
(My one and only baby)

(Be my- be my baby)
Be my little baby
(My one and only baby)
(Be my- be my baby)
(My one and only baby)

(Be my- be my baby)
(My one and only baby)
(Be my…)

September 28, 2012

The Lovin' Spoonful - Night Owl Blues (1965)

In 1964, the short-lived group known as The Mugwumps split up. From the group, Cass Elliot and Denny Doherty would go on to form The Mamas & The Papas while Zal Yanovsky paired up with fellow folk-fan John Sebastian and two rock-types, Steve Boone and Joe Butler, from Long Island, to form this group. They would go on to put out such classic hits as “Do You Believe In Magic,” “Daydream,” “Did You Ever Have To Make Up Your Mind?,” “Summer in the City,” and more in the short span of only four years. Members of the Grateful Dead also credit this band for inspiring them to “go electric” and move away from the pure-folk they were playing on the West Coast. In 1967, Zal parted ways with the group to pursue a solo career; and, by 1968, Sebastian had left with solo aspirations, as well. By 1969, the group decided to go out without fading out and they called it quits. This is definitely one of those iconic groups that cannot be summed up in this small space.

This song comes from the group’s 1965 debut album, Do You Believe in Magic. It’s the only track on the album to feature all four members as writers of the song. It was released on the Kama Sutra label and featured the classic songs “Do You Believe In Magic” and “Did You Ever Have to Make Up Your Mind?”. For more on today’s featured song, read the exclusive story below from John Sebastian himself!



A Special Edition post with John Sebastian from The Lovin' Spoonful!

Number nine! Today's exclusive story comes from a man who founded The Lovin' Spoonful, performed at Woodstock, appears on "Roadhouse Blues" by The Doors, and had a successful solo career. None other than the songwriting genius himself, John Sebastian. Here's John's account regarding "Night Owl Blues," which you can also hear below.
A Bit Like You And Me and readers,

The Spoonful were always looking for things they could do that didn't sound like The Wrecking Crew, who seemed to be making everybody else’s records. “Jug Band Music” was one answer, but I had been playing harp for a long time, Zal sounded great in a blues format, and so we started to play Muddy-style blues.

The simple form we came up with begun with an intro like “Fathead” Newman’s intro to Ray Charles' "(Night Time Is) The Right Time." It became the B-side to Magic, partially so we could show off that we had more than one trick in our bag.

Years later, I ran into “Fathead” Newman picking up take-out at a local establishment. I had to ask, “Sir, did you play the intro to ‘(Night Time Is) The Right Time’?”

“Yeah, I did.”

“Well, I gotta thank you, ‘cause it became the intro to a tune we did called ‘Night Owl Blues’.”

And that's the story of “Night Owl Blues”…except for one detail. Ever wonder why it starts to fade in the middle of Zally’s second break? It's because Steve Boone stopped playing a few seconds later and no overdubs were attempted.

All the best,

John Sebastian
It's great to receive a first-hand account about this song from The Lovin' Spoonful's main man. A huge 'thank you' goes to John Sebastian for taking the time to share his memories with A Bit Like You And Me and his many fans. What a day!

To visit John's site, which includes merchandise and tour dates, click here.
To hear "(Night Time Is) The Right Time" by Ray Charles, check out this YouTube video posted by someone.

And now that you've enjoyed this exclusive story, why not check out what other exclusive stories we've received?



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The Lovin' Spoonful - Night Owl Blues (1965)

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Lyrics:

(instrumental)