Showing posts with label Bob Keane. Show all posts
Showing posts with label Bob Keane. Show all posts

November 01, 2013

The Lively Ones - Night and Day (1962)

As mentioned in yesterday’s post, the band known as The Surfmen began to deteriorate around the departure of the band’s lead man, Ray Hunt. As subsequent members began to leave the band and get replaced by newer guys, it quickly became the case that the group’s drummer, Tim Fitzpatrick, was the last remaining original member of the band. Having no allegiance to the band’s “Surfmen” name, Fitzpatrick and his bandmates switched their group’s name to The Lively Ones. The group featured Tim Fitzpatrick on the drums, Jim Masoner on lead guitar, Ed Chiaverini on rhythm guitar, Ron Griffith on bass, and Joel Willenbring on drums. They signed with Del-Fi Records and hired a manager, Bob Keane (the famed manager and producer of Ritchie Valens). Although the group never reached much stardom, they most recently had a resurgence of interest when their 1963 song, “Surf Rider,” was used in Quentin Tarantino’s 1994 film, Pulp Fiction.

The song below is one of the many cover songs performed by The Lively Ones. Although they had a few original songs, it was songs such as the one heard below that the band was known for. Originally written and released in 1932 by Cole Porter, this song was introduced to the masses by Fred Astaire in his last Broadway performance, the musical play titled Gay Divorce from 1932. Porter claimed that the song was inspired by his trip to Morocco, where he heard Adhan, or, the Islamic call to worship. The song, which originally had lyrics to go along with it, was so popular and closely associated with Cole Porter that when a movie was made about his life in 1946, the film was titled Night and Day. Besides The Lively Ones surf instrumental cover, the song has been covered by Eartha Kitt, Billie Holiday, Frank Sinatra, Dionne Warwick, Ella Fitzgerald, Etta James, U2, and many, many more.

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The Lively Ones - Night and Day (1962)

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Lyrics:

(instrumental)

May 13, 2013

Ritchie Valens - Come On, Let's Go (1958)

Born Richard Valenzuela on May 13, 1941, this Mexican-American singer, songwriter, and guitarist only had a career that lasted eight months before ending in tragedy. As a young boy, Valenzuela was absent on one particular day of school to attend his grandfather’s funeral. On that same day, two planes collided above the playground of his school, killing and injuring many of his friends. From there forward, Valenzuela had a fear of flying. A self-taught musician, Valenzuela joined a local band at the age of sixteen, while still in high school, called The Silhouettes. He started as a backup singer and guitarist, but when the group’s lead vocalist quit, Valenzuela took charge. He was eventually discovered by Del-Fi Records' owner and president, Bob Keane, who had Valenzuela respell his first name from “Richie” to “Ritchie,” and shorten his last name from “Valenzuela” to “Valens.” Soon, Valens was recording nationwide hits, appearing in movies, and dropping out of high school to join a nationwide tour. “The Winter Dance Party,” a tour that began in early 1959, featured Valens, Buddy Holly, The Big Bopper, Dion and the Belmonts, and Frankie Sardo. On February 2nd, 1959, just eight months after Valens’ career had started, Ritchie Valens died in a plane crash that also claimed the life of Buddy Holly and The Big Bopper, now known as “The Day the Music Died.” Although his imprint on rock and roll history was short lived, there were an astounding number of future musicians to have been influenced by him, both Latinos and non-Latinos alike.

This was Ritchie Valens’ first hit song. It was written by Valens himself with the help of Bob Keane, credited as Kuhn, using his real surname, and featured the B-Side “Framed,” a song written by Jerry Leiber and Mike Stoller. Heard below, the song was recorded, pressed, and released in a span of mere days. It was the success of this song and his record that followed (“Donna”/”La Bamba”) which led Ritchie to quitting high school and focusing music full-time. The song reached number forty-two in the US.

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Ritchie Valens - Come On, Let's Go (1958)

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Lyrics:

Well, come on, let's go
Let's go, let's go, little darlin'
And tell me that you'll never leave me
Come on, come on, let's go’a
Again, again, and again

Well, now, swing me, swing me
All the way down, there
Come on, let's go little darlin'
Let's go, let's go again once more

Well, I love you so, girl
And I'll never let you go
Come on, baby, so
Oh, pretty baby, I love you so

Let's go, let's go, let's go
Little sweetheart
That we can always be together
Come on, come on, let's go again

I love you so, girl
And I'll never let you go
Come on, baby, so
Oh, pretty baby, I love you so

Let's go, let's go, let's go, little darlin'
They’re dancin’ and we’ll be longer
Come on, come on, let’s go’a
Again, again and again and again
Again, again and again and again
Again, again and again and again
Again, again…

June 15, 2012

Beauregard Ajax - Is Tomorrow Thursday? (1968)

When I attempted to locate information about this group to write up a biography, I couldn’t find much of anything. I was able to figure out that the group was from California, that they only made one album, and that they broke up before it was even released. Luckily for us (and you), I was able to contact the group’s drummer, Leo Hartshorn, and all of the missing gaps came together.

This song is the fifth track from the group’s only album, Deaf Priscilla, which was recorded in 1968. It was my original intention to post their song “Goodbye Again,” but after learning Leo had a penchant for “Is Tomorrow Thursday?,” it only made sense to feature it instead. And now for the exclusive story!



A Special Edition post with Leo Hartshorn from Beauregard Ajax!

Our lucky seventh story! We are proud to present a very entertaining story from the drummer of Beauregard Ajax, Leo Hartshorn! Leo, now a Reverend Doctor, was kind enough to share a great story at great length regarding his time in Beauregard Ajax. You'll all definitely enjoy this one!
A Bit Like You And Me and readers,

I appreciate the contact and that you have enjoyed the Beauregard Ajax album! It took Shaddoks Records in Germany to resurrect our music from some old copied tapes of an album that was recorded in 1968, but never released until some 35 years later! I'm glad another younger generation has gotten the chance to appreciate what we did as young people in the ‘60s.

Here's my story:

My ‘60s rock group, Beauregard Ajax, was originally named "The Dumplings" by our lead singer Charlie Hendrix. Everyone hated that name but him. The group was formed when I was a senior at Hueneme High School in Oxnard/Port Hueneme, California with David Ferguson (singer, guitarist, sonwriter), John Boutell (rhythm guitar, singer), Charlie Hendrix (lead singer, recorder player, songwriter), and myself, Leo Hartshorn (drums). We played local gigs in the Ventura County area with the help of Jim Salzer, a local promoter, with one major gig being with The Byrds at Earl Warren Showgrounds.

Our group moved to LA in 1968 to record the album now entitled Deaf Priscilla (unnamed in '68) at Del-Fi Records near Hollywood and Vine with producer Bob Keane (Richie Valens, Bobby Fuller Four, Frank Zappa, Barry White). We were desperate to play anywhere we could, as long as we got to play our music. We played at some of the traditional ‘60s clubs in LA like Gazzarri's, The Troubador, Whisky-a-Go-Go, and some local concerts. At the time I was only 19 years old and we had to "work around" playing in some of the clubs that served alcohol. Somehow we got set up to play at the Pink Pussycat on the Sunset Strip, which not only had alcohol but also strippers! Needless to say, when they found out that some in our band were underage, we got kicked out of the club. We weren't able to finish but a few songs from our set of music even though the strippers said they liked our music!

Another gig done out of this desperation to simply play our music before a live audience was playing in a shack out in the desert! I don't remember the details, but we were invited to play for a Hells Angels party! I was a bit nervous knowing that fights could break out at any moment. But again, desperation to play took precedence over where and for whom to play or consideration of our own safety. I was hoping to make it out alive and with instruments in one piece! This time we got to play our whole set of music and were graciously treated to barbecued chicken and cordial conversation afterward. One friendly Hells Angel we talked to had his jaw wired shut from a brawl he got into with a rival motorcycle club member! There were no fights during our performance....until later, that is, after we left. We heard there was a big all-out brawl with some rival club members which tore up the party! But we made it out alive!

That was a rather "interesting" part of my young life, particularly considering I have been a Christian minister for the past 40 years!

Peace,

Rev. Dr. Leo Hartshorn
It certainly sounds like Leo and Beauregard Ajax were having a great time. Was that an entertaining story, or what? I'd like to give a huge thanks to Leo for taking the time to share his memories with A Bit Like You And Me. It was very kind of him!

To visit Leo's blog, check it out here.
To learn about Leo's Drumming for Peace endeavor, which teaches peace through drumming, rhythm, and storytelling, click here.
Lastly, to visit Leo's art page, which I highly recommend, click here.

And now that you've enjoyed this exclusive story, why not check out what other exclusive stories we've received?



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Beauregard Ajax - Is Tomorrow Thursday? (1968)

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Lyrics:

Working for the Madam; she’s a lady
Thursdays, ahh the work is not too bad
Sundays, take her poodles for a walk
Is tomorrow Thursday at all?

Madam wants the windows cleaned on Friday
Tuesday morning, drive her into town
Coming to her beckon and her call
Is tomorrow Thursday at all?

Take a trip and get away
Laugh until my head begins to sway
Stop the work and start to play
Happens every Thursday

Madam wants the gardens done on Wednesday
Saturday is boring as can be
Take her to the bridge club or the mall
Is tomorrow Thursday at all?